Jonathan Gaisman

Collected essays, reviews and articles

Poles apart, linked by one instrument

July 2018, Standpoint

Sand (left) and Chopin, painted by Delacroix in 1838. Originally one canvas, the portraits were cut apart after the artist’s death

Preface

I prefer to review books that I have chosen to write about, because I would rather know before putting pen to paper that I was going to share an enthusiasm rather than advise people not to bother. In this case, I was asked by the editor of Standpoint to review Paul Kildea’s book Chopin’s Piano: A Journey Through Romanticism. I knew of Kildea through his short-lived and unhappy tenure of the artistic directorship of Wigmore Hall, but was sufficiently interested in Chopin (who had been an early passion) to agree to undertake the task. I did not enjoy the book, although it contained a lot of interesting information, but I didn’t want to be too rude about it. In the event, the publishers were able to quote a carefully edited remark to put on the paperback cover. It serves me right.